February 14, 2012
Pearls

by Zsolt
from Living, Loving, and Other Heresies

When he wrote the essays in Living, Loving, and Other Heresies, Zsolt was suffering from a progressive, debilitating neuropathy that eventually killed him. The essays began as letters to loved ones, but slowly evolved into group emails not only about his disease, but also about life in general. They functioned as a kind of blog—with the exception that as Zsolt was writing the entries, he was simultaneously losing the ability to play music, ride a bike, walk, speak, and even take care of himself in the most basic ways. Indeed many of the essays were written using word-recognition technology on a keyboard, one very slow letter and return keystroke at a time. Living, Loving, and Other Heresies is a testament to a carefully examined and purposeful life. It is a book of witnessing and testifying, intensely personal and yet expansive, characterized by careful art throughout.

In the essay this excerpt is pulled from, Zsolt has just described losing or accidentally breaking all but one of his treasured pearl necklaces.

Learning to get about with walkers and wheelchairs is one thing. Having to give up one’s pearls is quite another, though I suppose it must be done at some point and better strand by strand than all in a lump. THAT would devastate. I am afraid it will not help for you to say, “But Zsolt, my dear, they were mere costume jewelry.” This is rather like the Prince saying of a woman who has just died, “Oh, she was just the milliner.” Milliner or not, she had her stories.

Regardless, all of these pearly tragedies point up the fact that it is always easier to dispose of things oneself than to have them wrenched away by the hand of Destiny. Somehow, at times like this, when you thought you knew Destiny well, the feel of his hand is not quite what you remember.

With this in mind it is a queer thing that we continue obsessively living an illusion of Life as Accretion and Ownership: how we painstakingly accrue degrees, years, objects, wrinkles, honors; we have children, grandchildren, defenses, spouses, houses, sex. In fact we are so damn confident of the ownership of our accretion, rather like plaque on the teeth, that it is quite a joke when, somewhere in all the fuss of Having, we begin to find that the dominant feature of life is not Accumulation, but Loss. Quite likely in our earlier years we lost a kitten, or a toy, or a friend, or a grandparent, even a parent. As we age, however, and even with the persistent amassing of birthdays, we find ourselves losing everything from muscle tone to memory, pearls to hair. As the dust piles up and inflation grows, as undone chores multiply and wrinkles are added daily, many of us begin questioning whether our glittering personal empires are stable enough to maintain themselves to the end.

***

Yes, I am growing accustomed to living life without the exuberance of dancing, without the thrill of bicycling, without dimly-imagined futures that never came to pass, and as I contemplate my own future I am gradually coming to peace with the thought of living without this object or that, without the full use of my legs, without the playing of music, without much of what has previously defined me, both in my eyes and in the eyes of others. Oddly enough, though, this persistent dissolution of things, whether real or conceptual, is leaving me feeling ever more alive, not less. What remains, however vulnerable, is yet tough and brilliant as a diamond. And on each facet of that diamond is reflected the face of someone I love.

It is here where I most resist having to dismantle my life: those I love. Thankfully there is no need to dismantle them at this point. And perhaps there never will be. While we are often told that we will have to take that last step alone, I wonder if this is true, for in some queer way the love we have been given, part of a magnificent universe, as well as the love we have lived and shared is not only who we are but also that into which we will step at the threshold of death. Even if it be dust to dust, some kind friend is bound to plant a seed in it and watch with awe as it sprouts into luxuriant growth whose berries vaguely resemble pearls.

So toss out the old toaster ovens, throw away the clothing that no longer fits, burn the moth-eaten years of your youth, your life, but the people you love, take them with you, for it is into their love that you will dissolve at the threshold.

Oh hell, take along a string of pearls, too.

(Source: conundrum-press.com)

February 8, 2012
Ambition

by Bruce Berger
The Geography of Hope: Poets of Colorado’s Western Slope 

Think of those naturals who started right off
        blowing horn
Like mad, who were born with terrific prose styles,
Who made principled campaigns for public office
Too soon. They cleared the ground so fast you thought
They’d turn you into someone who knew them
        back when,
And just kept shrinking into thin air until
You forgot to watch, then forgot you forgot to watch.
Now they turn up. They look healthy, perhaps
        even trimmer.
They’re just as full of subversion, puns, scenarios,
Are teaching, fundraising, doing little theater,
Have creative homes, a family started, a shot
At tenure or first percussion. They don’t even
Seem older, just a bit quieter, and it must be only
You who feel let down. Have they consciously dimmed
Their sights? Revised their timing? Or are they
        withholding
Whole seasons when acedia strikes them dumb?
Even creative homes are cored with midnights
Notched on the bedside clock. Perhaps by day
They spin elaborate counsels to steady themselves.
Patience, they say. One must sit out a time
        without breaks.
One has to let go to regenerate. Nothing gained
By forcing a gift till it blocks. Fruition comes
Of its own accord; meanwhile I must lie fallow,
They tell themselves. I am lying fallow. 

(Source: conundrum-press.com)

February 6, 2012
They Also Serve

by Burton Raffel
from Beethoven in Denver and Other Poems 
(in which Beethoven returns from the dead and moves in with Raffel for extended conversations on music, politics, women, history, chocolate, mountains, love, and God)


“They pay you so much—for teaching?” Beethoven
        asked.
“Universities are a big business, these days,” I assured
        him after noting
That it was not really so much that they paid me, not
        so much at all.
“The world of education is not what it was: time
        marches on!”
He sighed and drank some beer. “In my Vienna,
        Herr Raffel,
Teaching was much more a matter of public relations—
        of what you call advertising today—
Than a real source of income. And what dunderhead
        pupils I had!
You are fortunate, more even than you know.”
I wanted to insist that I worked for my keep, but
        instead I commented that, somehow,
The Beethovens of the world seemed always to
        manage—but Raffels, you know,
Well, we had to scramble. “And after all,” I concluded
        with a flourish,
“How many Beethovens are there?” He blinked and
        stared hard at me:
I had not noticed, before, how exceedingly blue his
        eyes could become.
“And how many Raffels are there?” he demanded
        bluntly—
And with such plain intent that I could not answer,
I could only look down and wish that somehow I had
        managed, just this once, to keep my
        mouth shut. 


Author of over 60 books, including a translation of Beowulf that has sold more than one million copies since it was published in 1963, Burton Raffel is one of the most widely read American poets of the second half of the twentieth century. In addition to six previous volumes of his own poetry, he has published critical studies of T.S. Eliot, Robert Lowell, Ezra Pound, and many other figures.

December 27, 2011
A New Year’s Poem For You

A Horse Named Habit

by Mark Todd (from Wire Song)

You bet a Habit
Is hard to break,
You tall-standing
Son of a bitch.
I still gimp
From your knee-bust
Stomp and bronc ways,
A hit-hard lesson.
And to see you still
Too-grained full
Of yourself
While I feel only
The punched-breath
Crunch of flat
Pack and trail.
But I’ll find the cool
Of your blood yet
Between my knees,
The settle-down
Of your gait,
The steady
Of quieter days. 

October 8, 2011
Our first new publication

For the past few weeks we’ve been working with Colorado author Robert Garner McBrearty on his new collection of short stories, Let the Birds Drink in Peace. The stories feature a variety of characters, from reluctant private investigators to worried brothers to kidnapped kids, and the stories’ styles range from contemplative to comedic. At the heart of them all, though, are characters willing to explore deep below the surfaces of their lives. We loved the collection when we read it and knew that it would be the perfect inaugural book.

Local organization Stories on Stage will read one of Robert’s stories on October 23 at Su Teatro at the Denver Civic theater at 1:30 p.m. and 7:30 p.m. The whole slate of performances feature Colorado authors: In addition to Robert, there will be stories by Laura Pritchett, Nick Arvin, and Joanne Greenberg. 

If you can make it, please join us. Supporting independent local arts builds a community we want to be a part of.

—Sonya Unrein, editorial director